View fullsize Erin Malone's *Site of Disappearance* features a dreamlike painting by Ryan Molenkamp. View fullsize Gabrielle Joy Lessans's poetry collection [a go] features a photo courtesy of Marie Conlan Krieter. View fullsize Tom Snarsky's *Reclaimed Water* features "The Garden of Death," painted by Finnish artist Hugo Simberg in 1896. View fullsize Tom Snarsky's *Light-Up Swan* relies on the subtle variation in a photo by Jo Ianni and Jesse Murray. View fullsize Tom Snarksy wanted a pawnbroker's symbol in his poem "Saugus Iron Works." This final version might have been my third try. View fullsize First ink application for the cover of Peter Yovu's *Imago* chapbook. View fullsize Block number 2 inked to complete the cover image of Peter Yovu's chapbook *Imago*. View fullsize Finished *Imago* covers drying after pressing the second ink layer, in white. View fullsize Artist Francisco Lozada let us reproduce his multimedia *Entropía* for the cover of Camilo Roldán's DROPOUT. View fullsize Cutting a linoleum block for Sabine Miller's chapbook *Branch to Finch*. View fullsize Title page from Tamas Panitz's poetry collection *Toad's Sanctuary*. View fullsize Pic of "The Face," from *Toad's Sanctuary* by Tamas Panitz. View fullsize I took this pic of an ancient sculpture fragment for Eve Luckring's *The Tender Between* cover View fullsize A monostich in Eve Luckring's poetry collection *The Tender Between*. View fullsize *the deering hour* cover features a detail from an Albert Pinkham Ryder panel painting. View fullsize Title page of Kate Colby's poetry collection *Reverse Engineer*. View fullsize Opening of "Unexpected Being" by Kate Colby, from *Reverse Engineer*. View fullsize For Cherie Hunter Day's *for Want* cover, I layered two prints, the first in yellow, the second blue (wet into wet). View fullsize Freshly inked cover-wrap for Cherie Hunter Day's chapbook *for Want*. View fullsize The linocuts used for Cherie Hunter Day's *for Want*. I clean them after each session, otherwise edges lose their crispness. View fullsize Michelle Gil-Montero's *Object Permanence* features one of several pics I tried. Always challenging and fun to create the art myself. View fullsize Part 5 of "First Forty Days" from Michelle Gil-Montero's poetry collection *Object Permanence*. View fullsize Outtake from my photoshoot for the cover of Michelle Gil-Montero's poetry collection *Object Permanence*. View fullsize Text of Gabrielle Joy Lessans's open-field poem [JETTY] from [a go].